Material list

Brushes

·     # 30 Natural round brush

·     # 8, # 14, # 20 round Sable/Synthetic blend brush

·     # 3 round Synthetic brush

·     2 ” Bamboo Hake brush, mop or other wash brush

Watercolor Paper

·     ½ sheet 300 lb. = (55.8 x 38.1 cm) CP Arches watercolor paper

·     ½ sheet 140 lb = (55.8 x 38.1 cm) CP Arches watercolor paper

Transparent Watercolor

·     French Ultramarine Blue (W&N)

·     Cobalt Blue (W&N)

·     Indigo (W&N)

·     Burnt Sienna (W&N)

·     Perm. Alizarin Crimson (W&N)

·     Winsor Violet Dioxazine (or *DS Carbozole Violet)

·     Quinacridone Magenta (W&N)

·     Perm. Rose

·     Perm. Sap Green

·     Burnt Sienna

·     Indian Yellow

·     Hansa Yellow Medium (* Daniel Smith color)

Other materials

·     Large 1-gallon plastic wash bucket (or large Tupperware container)

·     # 2 office pencil or # B art pencil

·     Palette -covered plastic pallet with shallow wells (I like Richeson pallets)

·     Paper towels

·     Old terry cloth

·     Pencil (2HB is fine)

·     Pebeo Drawing gum or other masking fluid

·     Kneaded eraser

·     Mr. Clean Eraser (available in the cleaning section of the grocery store)

·     Fingertip spray bottle

·     1 small roll of clear contact paper or frisket paper, the contact paper can be found at a hardware store or dollar store. The contact paper has a light tack to the back and has been used as a shelf liner. This is just a technique you can try if you prefer you could also use your masking instead.

About color: whenever possible use professional quality transparent watercolors they have a higher pigment load, less filler and are ground finer giving you the best results.


About color: whenever possible use professional quality transparent watercolors they have a higher pigment load, less filler and are ground finer giving you the best results.

Beginners: To keep the cost down student sets are fine try to use tubes not pans. Do not expect the same results with student sets as with the professional colors.

Important: For the color blending that I like use use Winsor & Newton for these colors, French Ultramarine Blue, Indigo, Burnt Sienna, Perm. Alizarin Crimson, Quinacridone Magenta.

Paper: try to use Arches 22x30 watercolor paper and tear it down to size, pad paper reacts differently and student brands will not give you the results you want.

Brushes: before investing into expensive brushes, or ones that don't work as well consider the ones I use. These are available in my workshops and on my website

Hake Brush: these have a tendency to loose hair, an easy fix is to squirt a little “Super glue liquid” along the edge of the handle and work it in.

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